Captain America: The First Avenger

Like every other true geek, I was planted in an ideal seat at my local AMC Theatre at 11:00 pm Thursday, July 21st in preparation for Marvel’s final origin-story prelude to next year’s The Avengers. My hope was that it would be at least as good as Thor, which was relatively fantastic when rated alongside other ho-hum Marvel pictures like Spider-Man 3 (okay, so that’s debatable) and the Fantastic Four films.

Without going into laborious detail about the plot (too early to risk spoiling it for anybody), I will say that I mostly agree with what both NYTimes.com and The A.V. Club had to say about the film. It’s got a couple minor low points, but for the most part, it’s a fun film with a nice balance of comic-book campiness and realism; and it never reduces itself to all-out American propaganda. In fact, one of the most humorous, if a little too drawn-out, segments is actually a nice tongue-in-cheek parody of WWII pro-war propaganda that for the most part feels entirely believable.

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On Homosexuality: A Question of Love, the Role of Sex in Society, and Morality

The present generation, and likely many to follow, faces one of history’s profound instances of moral uncertainty: the issue of homosexuality and its implications for human rights. Arguments over the legality of gay and lesbian marriages seem unending, and the ethical concerns underlying such arguments are a matter of constant conflict. One might see it as a question of the morality of such relationships; others might see it as a purely sociopolitical struggle, not unlike those of the past. It is difficult not to view the issue as yet another battle for equality by an oppressed people who have faced discrimination for centuries—no different, perhaps, than the abolitionist movement or the protests for women’s suffrage. Like any such strife toward civil liberty, however, the issue is complicated. The moral dimensions of the homosexual lifestyle are widely diverse. The nature of love and its relationship to sex, for example, is a core element of the debate; definitions and opinions regarding their importance vary. Because of this, the different conceptions of love, as well as the purpose and value of sex, come under constant examination by the conflicted parties. Moreover, if homosexuality is ultimately determined by the majority of a society to be immoral, should the law directly reflect that? In order to near a conclusion regarding the matter, one must first determine the role love plays in the moral individual’s life; and if the sexual component to same-sex relationships must also be evaluated, then one must question the social and ethical repercussions of such lifestyles.

In Marsilio Ficino’s Commentary on Plato’s Symposium on Love, the author explains that, according to the platonic conception of the formation of our universe, “Love accompanies chaos, precedes the world, wakens the sleeping, lights the dark, gives life to the dead, gives form to the formless, perfects the imperfect” (40). Ficino defines love as “the desire for beauty” (40). By this conception, which he explains is the one most common among philosophers, love requires only the intellect and the more sophisticated forms of perception—those of sight and sound—and therefore, a desire for anything more—that which requires touching, for instance—must be no quest for beauty (and so, not love), but rather sexual lust (41). Platonic love, then, which has long been held to be the ultimate form of love, requires nothing of the exchange of touches, kisses, or sexual acts. It is quite reasonable to assume that platonic love between two individuals of the same sex occurs all the time—it need not be a taboo thing at all. Two men or women may develop a deep, intimate admiration for one another that ultimately transcends the need for sex. According to Plato’s definition of love, then, sexual relationships are set apart from love entirely. They neither require love to occur nor collapse under its existence; the two are simply parallel desires. Therefore, the question of whether or not homosexuality is a morality acceptable lifestyle cannot be solved by relying on the essence of love.

Mortimer J. Adler, in his book Desires: Right & Wrong, poses a slightly different conception of love. He argues that one is not wrong in associating love with lust or sex, because love in the traditional sense generally stems from an erotic feeling of attraction toward another. Adler explains that the difference between love and a merely sexual relationship lies in the intent of each participant. A sexual relationship, according to Adler, may be considered one of love if its participants desire to give mutual pleasure to one another, rather than merely seek to use one another as a means to satisfy one’s own selfish sexual needs (74-5). This need not have a negative connotation, as it so often does. If earthly love is the penultimate goal of all moral persons (before death, in other words), then sex can be understood as a basic component of human life. The desire for its pleasures is as natural as the drive to seek out food, or shelter from a torrent, and therefore should be understood as a socially acceptable relationship between individuals, despite what privacy norms dominate a given culture. Adler also adds, however, that there is yet another conception of love: divine love. This, he explains, is what the Greeks initially referred to as a kind of altruistic recognition of love for God and the charity of others (75). One might argue that sex cannot possibly be associated with this higher, selfless form of love. That seems incongruous with various other Christian teachings. If God indeed loves all of Creation, as well as all his children—and as a result, the unique talents of the world’s many individuals are to be praised—then is sex not simply another one of the gifts God has bestowed upon humanity? Religions the world over regard various practices one might view as unusual as means to reach either God or similar deities: the use of drugs, the enactment of rituals, the literal or figurative display of cannibalizing God Incarnate, meditative mysticism, et cetera. Almost all of these practices rely on a belief in the purely supernatural. Meditation as a vehicle to reach the realm of the divine implies that God or some other deity must exist, at least in part, within ourselves—our mental, spiritual selves, if not our physical forms. Might sexual relationships be seen as another legitimate path toward God? If one declares the act of homosexual intercourse to be unnatural, as is the common argument, then such claims might be easily refuted on the basis that there is more to love than sex, and platonic love is therefore independent of the perceived necessity of procreation. One might then reply that any sexual act beyond the primary “intended” use of human genitalia (sexual reproduction) is immoral in the eyes of God, but then what of drug use in spirituality? The sodomy and various oral sex acts that are performed by homosexual lovers of either gender are surely no less natural than the harvesting, processing, and ingestion of substances known to chemically alter the function of the human brain—not excluding the wine consumed in the ritual of communion to signify the blood of Christ. It is, of course, dubious that one could effectively argue that there is anything even remotely natural about the act of cannibalism within the so-called “developing world.”

According to Rachels, author of The Elements of Moral Philosophy, the Gallup Poll questions the American public on their position regarding homosexuality. When asked whether the homosexual lifestyle is an acceptable social alternative to heterosexual partnerships, 57% of the poll’s participants in 2008 agreed that it was. When asked about the morality of homosexual relations, the nation was divided almost precisely in half (32). This perhaps indicates that the United States feels there ought to be a separation between personal beliefs regarding morality and the legality of others’ relationships; a sign that democracy may be praised for its inclusiveness and allowance of ethical subjectivity.

The arguments in favor of and against homosexuality vary, especially depending on the ethical theory applied therein. Ethical subjectivism almost immediately favors homosexual individuals, because it cannot allow for them to be rightly condemned if they feel there is nothing immoral about their desires. As Rachels points out, homosexuals are only pursuing happiness through their relationships. Sex is a powerful drive in human individuals, just as it is in all sexual animals, and to deny homosexuals a right to the sex they desire would be to deliberately obstruct their path toward happiness. He also reasserts the claim of many homosexuals that the homosexual lifestyle, like our common conception of heterosexuality, is not about sex but rather about the quest for love that may either precede or accompany a sexual relationship. Just as heterosexuals at no point choose to lead heterosexual lifestyles, homosexuals are also born with their own set of earthly desires; one’s sexual orientation, with perhaps a few rare exceptions, is destined from (or even before) the moment of birth (44). If morality is premised upon the ideas that human beings have a capacity for reason, and some modicum of free will, then how can one justifiably be persecuted for that which they had no part in choosing? If anyone, notwithstanding any future prospect for designer children via gene-splicing, has any part in the decision of one individual to pursue a homosexual lifestyle, then certainly it must God Himself. What sort of God, one must then ask, would condemn His own creation? The only reasonable response to such a question would be to presume He would not; that in truth it is humankind who exacts such judgments.

In his book, Sex, Money & Power: An Essay in Christian Social Ethics, Philip Turner calls upon the Church to radically revise its moral thinking in regard to sexual relationships in order to suit the reality of the present normative values of our society. He explains that the Church, and the Christian hard right, puts undue emphasis on a need to return to the ethical ideas of the past. Instead, he argues in favor of acknowledging the commonplace nature, and value of, certain sexual acts as necessary social exchanges. Turner goes on to explain the ethical view of relationships termed self-actualizationism, which is based largely upon the premise that most relationships, including those of sexual nature, are God-given gifts, and contribute to one’s personal growth and self-discovery. Under this view of relationship ethics, oft-condemned acts such as adultery, polyandry, and homosexuality are seen as acts which might positively contribute to one’s individual growth. He asserts his belief that allowing for more inclusiveness in the criteria for what is morally acceptable in the realm of sex (for example, celebrating homosexuality) would better reflect the Church’s teaching that God loves all his diverse children equally. However, acts which are seen by normative social beliefs as abhorrent, such as pornography and bestiality, are still considered immoral in the study of self-actualizationism (32-5). This idea of religious revisionism is evidence that not all clergy, particularly among varying denominations, are necessarily in agreement with one another regarding the subject of open sexuality as moral or immoral. Moreover, the idea that including homosexuality as a practice accepted by the Church would allow for a variety of positive, foreseeable results: It would add religious value to existing homosexual relationships, which might improve the lives of those effected in terms of love and the quality of their relationship with God; and similarly, it would open the possibility for homosexual couples to receive the blessing of their churches and a sense of social belonging.

If the Church were, by such persuasion, to change their policy toward homosexuality, it would not necessarily have to revise their views regarding other presently condemned acts. If the Church were unwilling, for example, to allow the rising social trend of pre-marital, live-in sexual relationships to become an acceptable practice, homosexuality need not suffer such dismissal. For one, allowing homosexual partnerships and related sex acts would draw such individuals at least toward an appreciation of the Church, if not to become actual members of a particular faith. Also, by allowing legal unions to be given the blessing of God (and what privilege, one might ask, is it of humankind’s to deliver His blessing?) and the Church, there can be little doubt that in time there would be an observable decline in other acts Christianity feels to be immoral: Adultery, along with other forms of pre-marital sex, would potentially grow less common among homosexuals in a world where the marriage of same is granted society’s blessing; and promiscuity, similarly, would decline in favor of more fulfilling, perhaps everlasting unions.

Faced with conflicted beliefs from within, the Church might understandably turn to the teachings of its Bible for answers. They would be sure to find, then—or at least interpret as such—that God considers homosexuality (or so-called sodomy, a term with irrevocably negative connotations) to be a sin. What of sin, then? If God’s regard for a particular practice can only be known through the Bible, believed by the Church to be the very word of God Himself, then one might propose that the Bible be interpreted with caution. While those who place their faith in Christianity may assert that the Bible was penned by human beings as God acted through them, one cannot dismiss the sheer power that this idea affords the Church. Such power corrupts, and leaves the validity of the Bible’s teachings uncertain. One must consider the possibility that what God views as sin, and what the Church claims to be sin, are not necessarily the same. For instance, as John Portmann mentions in his introduction to In Defense of Sin, the Ten Commandments make no mention of homosexuality (5). Richard Wasserstrom, in his essay, “Is Adultery Immoral?,” calls attention to the great error of recent philosophical literature: The focus of arguments against such things as homosexuality, adultery, and prostitution is scarcely on whether or not the act is immoral; instead, it is simply taken for granted that it is, and the discussion proceeds to argue for the legality of the act in question on the basis of its presumed immorality (59). This implies a certain closed-mindedness about our society’s approach to ethics. If something may be declared immoral arbitrarily, or because of its taboo, non-majority status, then does this not indicate a fundamental failure in society’s ethical process? A willingness to rethink issues, solve problems in creative new ways, and be open-minded is certainly the groundwork for any mindful, moral individual. To assign the status of sin to any act initially perceived as existing outside the social norm is to fail to think ethically, because it blatantly ignores the role of reason.

But what of the arguments that homosexuality is absolutely wrong, no matter its perceived merits? Can reason be used to conclude that homosexual relationships are immoral? When Kantian ethics—which is heavily rooted in the presumption of certain moral absolutes—is used as an approach to the issue of whether or not homosexuality is immoral, its core ideas are rendered extreme, impractical, and unjust, from a realistically modern, humanitarian perspective. Under Kant’s formula of the categorical imperative, one can reason that homosexuality is immoral because its implications would point to the utter, eventual extinction of the human race. If homosexuality was made universal law, going along with the categorical imperative’s template for moral reasoning, then (presumably, since homosexuality by definition implies an attraction only toward members of the same sex) no heterosexual relationships would hypothetically occur. Under this extrapolation, humanity would cease to procreate, and the species would eventually die off entirely, unless some miraculous evolutionary mutation occurred that enabled females to reproduce by parthenogenesis. Because no one would readily submit their favor to the annihilation of the human race over the uniformity of sexual preference, then homosexuality can be deemed immoral under Kantian ethics. However, this illustrates the logical flaws in Kant’s premise: If reason is so greatly valued simply because it is within human capacity, why, then, would homosexuality not be valued by the same rationale? Would it not be another of God’s many unique gifts to be cherished? Similarly, if morality is governed by reason, which implies the ability to make rational, mindful choices by exercising free will, then how is homosexuality truly a moral issue, as moral thinkers claim it to be? It is a biological impulse, the way hunger, thirst, or a desire for survival—or even intellectual thought, creativity, or emotion—exists within every capable human being. Sexual preference is a matter of genetic determinants, much like the human capacity for intellect or a particular predisposition to a given talent or skill. It is not, in accordance with the natural processes by which the human capacity for reason is fostered, a choice at all, and is therefore an example of how Kantian ethics fails to successfully guide one to absolute moral truth regarding homosexuality.

Of course, one might reach a radically different conclusion about homosexuality if one takes a utilitarian approach to the moral question. In many respects, utilitarianism is the opposite of Kantian ethics; it leaves no room for moral absolutes, and almost anything can be deemed permissible if done so for the sake of generating optimal happiness in the affected parties. Rachels describes utilitarianism as the conception of morality put forth by Jeremy Bentham, which states that morality is simply a matter of following the Principle of Utility; that in all instances, we ought to do only that which produces the most happiness possible (97). The value of happiness as the ultimate goal of the moral individual is questionable, to say the least—but happiness is certainly a valuable component of the fulfilling, moral life. Hedonism need not be the only path toward granting homosexuality society’s tolerance (or, if true justice may be achieved, society’s blessing); however, the popularity of the utilitarian conception of ethics certainly raises further moral dissonance regarding homosexuality. It is difficult to conceive of a world in which allowing homosexuality would not generate more happiness than existed previously. If one is to perform the calculus of utilitarianism with the hope of declaring the morality of homosexuality, one must take into account which portions of society will truly be affected. Those individuals who face discrimination on a daily basis simply because of their status as gay, lesbian, or bisexual would be the most obvious variable. While such individuals are a minority among society, they are certainly the ones with the most to be gained from either the legalization of gay marriage or the Church’s blessing of homosexual lifestyles. Heterosexual or celibate individuals, on the other hand, have no concrete stake in the matter; any loss or prevention of happiness in such persons would be purely superficial—a slight moral disapproval, a mere revulsion toward the alien “other”; perhaps a loss of faith in the religion or judicial system that deemed homosexuality to be morally permissible. Ultimately, one would be ill-suited to argue against the morality of homosexual relationships from a utilitarian perspective.

The debate regarding homosexuality and its morality will likely persist for years to come. If it is proven to be yet another instance of illogical discrimination, like so many similar social problems throughout our imperfect world, then perhaps there is hope for the liberty of gay, lesbian, bisexual, and transgendered individuals. If society begins to acknowledge the role various sexual relationships play in our society, as Turner suggests in Sex, Money & Power, then we may eventually see a societal openness regarding sex develop that would doubtless generate an atmosphere more accepting to alternative sexual lifestyles. Society at large, however, is not necessarily homosexuality’s greatest opponent. One may reason that it is the Church, so heavily steeped in ancient tradition, that is the final obstruction to the liberty of non-heterosexual lifestyles; and that it is, ironically, the Church who might potentially benefit the most from the acceptance and blessing of alternative sexual relationships.

Works Cited

Adler, Mortimer J. Desires: Right & Wrong. New York: Macmillan, 1991. Print.

Ficino, Marsilio. “Speech I.” Commentary on Plato’s Symposium on Love. Ed. Sears Jayne. Dallas: Spring, 1985. 45-69. Print.

Portmann, John. “The Half-Life of Sin.” In Defense of Sin. Ed. John Portmann. New York: St. Martin’s, 2001. 1-11. Print.

Rachels, James. The Elements of Moral Philosophy. Ed. Stuart Rachels. 6th ed. Boston: McGraw-Hill, 2003. Print.

Turner, Philip. “Revisionist Sex.” Sex, Money & Power: An Essay in Christian Social Ethics. Cambridge: Cowley, 1985. 29-44. Print.

Wasserstrom, Richard. “Is Adultury Immoral?” In Defense of Sin. Ed. John Portmann. New York: St. Martin’s, 2001. 59-76. Print.

On the Ethics of Care

The rise of Feminist thinking in the twentieth century brought a great deal of subjects under careful scrutiny, and philosophy was no exception. Given that the previous eras of intellectual thought were guided by the ideas and writings of men, women in the contemporary era are rightfully wary of accepting a structure of society and philosophical thinking that has been dominated for millennia by the opposite sex. Rachels implies that the ethics of care is, in large part, a reactionary rejection of ethical reasoning that stems from the principle- and reason-dominated methodology of ethics. Female intellectuals instead propose that men and women conceivably understand and approach various issues in different ways, and therefore assert that one view is neither better nor worse than the other — simply different, and equally important if one is to fairly credit the thinking of both sexes (146-57).

Early philosophical thinking was largely founded on the writings of Aristotle (and of course Plato and Socrates, from whom Aristotle developed his ideas), who declared women to be of inferior rational capacity (146). To have such a great, endeared thinker make this claim doubtless both reinforced and perpetuated the fallacy for many centuries. The intellectual failure of philosophers throughout the ages, then, is not necessarily that they spread the ideas of Aristotle and built upon them — indeed, most would agree his ideas were profound, given their time of origin — but that no one had the courage to question this assumption of female capacity for intellect. Not until women gained any modicum of equal human rights or power did this claim finally fall under critical examination. It is inexcusable that no male figurehead of intellectual thought made an effort to disprove this falsehood. One might ask, then: Was Aristotle right?

Doubtful. Most would argue that he was simply conforming to the deeply-conditioned social hierarchy long established at the time he lived. It is, however, a philosophical failure worth pondering; if Aristotle possessed such profound vision and reason, why did he not attempt to argue this point? According to Rachels, Carol Gilligan proposed the idea that men construct their ethical thinking on the basis of firm, unquestionable principles, which are better suited for constructing concrete, logical arguments in favor of dealing a particular judgment. Women, on the other hand, have a greater concern for the small details of a given situation, which “give [it] its special flavor” (149). This observation is perhaps the most valuable insight into the value of care-based ethics. First of all, it comes from a woman, so therefore the claim of female thinking is coming from the source, rather than being an unfounded claim like Aristotle’s proposition. Moreover, it provides a basic framework for evaluating the two different viewpoints. Rather than seeing male and female thinking as in opposition, one can recognize that they both offer different valuable ways to approach the same issue. If one makes the essentialist argument for men and women having intellectual differences of any kind, then it might be acceptable by using Gilligan’s observation as a starting point. In other words, the biology of women lends itself to an eye for detail, whereas male biology has some sort of masculine tendency toward concrete, absolute methods of thinking.

If this sort of thing is true, and biology plays a greater role than social conditioning in the different thinking of men and women, then this poses a useful question: Why is there a difference? Well, of course, nature is full of wondrous engineering. Little in the course of evolution happens through triviality; it all serves a purpose. The difference, then, is most likely to capacitate a full, multifaceted approach to thinking. While women might have one concern, men can offer another — and this makes for better reasoning.

Almost all theories of moral, ethical, or philosophical thinking is proposed in pursuit of a common goal: creating a better quality of human existence. What, then, is a philosophy of ethics with no regard for the idea of care? If humanity exists solely on the basis of systematic thinking and firm principles, then where is the regard for human life, comfort, happiness? A system of principles that interact with one another on the basis of interconnected ideas, concepts, and procedure seems to lack any truly human qualities at all. In fact, such a world sounds more akin to a machine than a civilization. No society would exist without the individual, and certainly all who might serve to damage or bring the collapse of society are examples of neglectful treatment. Care, one might reason, is what holds one individual firmly in place within the greater framework of society. Without love, happiness, or quality relationships, that individual would seem a sorrowful, purposeless — perhaps even threatening — component of the larger society.

On Cultural Relativism

In The Elements of Moral Philosophy, Rachels defines Cultural Relativism as the concept in which moral truth varies from culture to culture, and the idea that one moral code exists is a myth (16). According to ethical subjectivism, this means that judging one’s culture to be correct, or another culture to be incorrect, is merely a reflection of bias or attitude. In other words, each culture is different, but in accord with the theory of Cultural Relativism, each culture is also correct in its beliefs simply because moral beliefs are entirely subjective.

The lure of Cultural Relativism is strong, because certain facets of it do ring true; and also because it puts an end to certain controversial discussions about which coming to a moral conclusion occasionally seems impossible. The greatest value of Cultural Relativism is perhaps that it warns against the assumption of one culture’s beliefs having stemmed from rational thinking or some universal truth—in almost every case, a social practice is done merely for the sake of tradition, and little else (29). Another important aspect of the theory is that it leads people to question their own individual beliefs about morality—opinions born of upbringing or perpetuated dogma, in many cases—which is a good thing. Acknowledging the importance of keeping an open mind about beliefs and practices is another appealing aspect of the theory (30). The theory is not without fault, however, in a world that’s evolving on the social level as rapidly as ours is at present—a world that is placing an unprecedented level of emphasis on a global economy, instantaneous communication via the ever-evolving realm of cyberspace, and the spread of new sociopolitical ideas.

As nationalism spirals toward obsolescence and the continents of the world grow ever more connected via the Internet and other satellite telecomm technology, the need for a sense of patriotism and ethnocentrism toward one’s own country begins to wane a great deal. In a world where immigration is a necessity for some to manage a decent livelihood, cultures cross-pollinate in a rapid fashion—and thereby rendering the differences between cultures less and less apparent. In fact, such interpenetration between cultures illuminates that much is shared by all cultures.

With a rise in technological and economical advancement, individual nations become more and more active within the global economy—and the opportunities for growth and social mobility become more readily available. Individuals become more confident in their own capabilities, and resultantly less bound by their own society’s standards—in the age of technology, cyberspace, and media-stoked social justice, individuality prospers more and more. Eventually, if the trend continues, cultural standards with little more than ancient tradition to support their continuation can be reasonably predicted to eventually fade. In the wake of vast advances in the medical field, for instance, less and less couples are compelled to baptize their newborn children. Where there is a purpose to be served, a single means is used to go about it—until an arguably more reliable means comes along to replace it.

While a fairly utopian idea, obviously, it’s not unreasonable to assume that the current patterns of individualism and cultural cross-pollination will continue. As this occurs, it is observable that media-fueled controversies over ethical matters will only heighten—but perhaps this is a good thing. Such strife brings about action, discussion, and inevitably change. And in a world where rapid change is occurring constantly, often going unnoticed beneath the layers upon layers of interconnected technology and evolving social dynamics, positive ethical change seems a logical goal to work toward. While cultures scarcely agree, it is certainly true that each culture has its own set of ideas to share. Through our globalizing world, and the advance of human capability, the best ideas shall rightfully rise to the surface while the unnecessary or illogical ones fade away. As long as the current sociopolitical climate does not spark another dark age, it is a reasonable hope that global civilization will only grow to be more and more understanding of the ethical truths that might have once seemed far from humanity’s grasp.

A Brief Essay Regarding Ethics

Throughout the animal kingdom, there are numerous observable patterns that nature embraces, presumably through a genetically developed instinct, which serve to organize a given species into an efficient social machine. Human beings, no matter how extraordinary we may suppose ourselves to be, are scarcely different from our less arrogant neighbors upon this planet. It is of great interest to me, personally, to understand the underlying drives of humanity — and how they may explain the morals within any given society that are either universal or regional. The mechanisms of evolution and the life it fosters are so intricate that they are difficult to properly understand. Many of the problems posed by philosophical disagreement stem from the fact that, as intellectual beings, we seek answers and rationalization for an existence that may be in reality farr more simple than we wish to admit. Part of my own personal interest in philosophy, and ethics specifically, is to understand which contemporary humanistic ideals serve our underlying sense of purpose, and which are, in fact, antiquated social constructs.

For instance, one of the major issues that plagues the intellectual world is the controversy of population control. The planet is a vast landmass, full of potential for life, but how much of it is truly meant for the human empire? Is there a plan for humanity in regard to our role on this world at all? Social Darwinism might lead us to the idea that cities built beneath the waters of our oceans, or floating upon their surfaces, would give us a greater amount of space, and therefore justifies building such habitats. What of the effects on the rest of the biosphere, though? Would that not destroy creatures of lesser resourcefulness? Would the building of an ecumenopolis not disrupt and devastate the natural order of the planet? Perhaps the question is not really whether or not humanity should attempt such grandiose undertakings, but rather whether or not we could do so. If nature, in all her complexity, has managed to foster such sophisticated life-forms as human beings, then who is to argue that the Earth might not react by thwarting our ambitious efforts with extinction?

The so-called “rights” of life, which are so greatly emphasized within human civilization, are most often attributed as a natural given; this world is deemed by modern thinkers to be one of inherent liberty. Why, then, are animals — regardless of strength or number — not granted by our kind the same level of deference? Who truly believes that humankind is some divine irregularity of the universe, a sole race of great beings destined to bear the burden of sentience and an underutilized capacity for reason? I generally find myself ashamed of the arrogance and lack of vision that humanity employs in times of hardship, change, and conflict. We find it within our grasp to impose and enforce laws governing the global parameters of warfare, and yet we cannot even come within a reasonable distance of finding peace? Is there no end to competition, to the brutality that lies buried deep within the darkest depths of our animalistic ids? It often seems that war, destruction, emotional blindness, and greed threaten to ravage our species for all eternity. Where, I ask, is the purpose in that?

Identity, the Mind, and the Future

As I explore the science fiction subgenre of cyberpunk, I view its implications in a peculiar context. When Neuromancer was written, there was neither an Internet nor a working example of virtual reality to be found in the real world; they were merely conceptual items of the imagination, snippets of the possibilities that might come about through the advent of the computer age.

Today, cyberspace is — however primitive — very much alive and real. It has become an integral part of human society in an overwhelming portion of the world, and through its influence we have seem some of the most drastic changes civilization has undergone in centuries.

For example, human beings are, at their very core, merely animals of high intelligence. We take for granted our place on the Earth because of the superficial empire we’ve managed to cultivate for ourselves — but just how natural or beneficial the way in which we’ve chosen to spend our existence in this universe is questionable.

Part of the nature of humanity is the idealistic identity — the very human sense of self that has arisen as an integral construct of our global civilization. We seek individuality, an essence, a kind of inner soul to differenciate ourselves from the alarmingly similar beings who surround us. Highspeed networking on a global scale, instantaneous communication, and a virtual forum through which information can be presented, gathered, and manipulated in a space/time-defying realm have absolutely altered the lifestyles of humankind within the developed and developing world forever.

This blog, for instance, is something that would not have been possible — or certainly would not have any sort of purpose — had it been created twenty-five years ago. Today, thousands — perhaps millions, though that’s a staggering thought — of aspiring writers just like myself, probably a shocking majority of them genre/speculative fiction writers, join people like me in the act of writing weblogs for the sake of synthesizing, assimilating, and filtering information about the experience, and wisdom that might be had, in regard to the world of writing and publishing fiction.

One of the things that I’ve come to realize drives human beings to create art, to craft wondrous works of architecture or sculpture, or to write short stories, novels, et cetera, is our desire to leave a legacy — something creative, meaningful — that will hopefully outlast ourselves. Because at the core of our often anguish-filled beings is the desire to live forever. It’s something that’s explored all the time in literature — something I’ve explored in my own writing, with novelette “L.S.B.T.W.” — but which presents countless philosophical cunundrums that haunt us endlessly. It’s a troubling thought, mortality, in the context of a very understood knowledge that there’s presently no way around it. Therefore, humankind makes art. Writes. Builds. Without such avenues, sadness often overwhelms individuals.

So in the information age, when endless streams of intersecting, replicating, organizeable data continue to accumulate and evolve, what are the consequences upon the sense of self, identity? Well, I’d argue that it strengthens such ideals. Cyberspace as it currently exists serves to reinforce, strengthen, and encourage the growth of such concepts — blogging, for one, is an excellent example of how the Internet has fed humanity’s sense of its own existence.

Society, however, evolves with the basic unit that comprises it. As the founder and creator of Facebook recently acknowledged in response to questions regarding the alarming downgrades in his networking site’s security parameters, he replied, in more or less terms, that the norm of individual privacy just doesn’t exist in its prior form. Today, that norm is arguably gone — if you wish to side with the man who helped destroy it. But the real truth of the matter is, of course, that the essence of privacy is ultimately the choice of the individual, not society at large. No hand forces a Facebook profile upon you — sure, the lure of things like Facebook and Wal-Mart are as strong and heavy-handed as the Death Star’s tractor beam, but that doesn’t mean that you can’t say no to the things you disapprove of. That’s the beauty of society; you can be the change you want to see, despite how hard it may seem.

I recently came to a disturbing, perhaps obvious, revelation regarding the nature of life and perhaps the reason it’s so difficult to fully understand the nature of existence, human experience, and what constitutes a living being, human or otherwise. In an age of improving medical technology, artificial life support, advanced robotics, and the possibility of advanced virtual reality (check out what Sony’s doing in the video gaming industry; the Future with a capital F is now) or even artificial intelligence is so close to the verge of what was once purely science fiction that it’s simultaneously astonishing and frightening.

Because of humanity’s despair regarding mortality, we’ve constructed our sense of self based upon the experience of human life. The nature of that experience is a complex one, however. Our most prominent tendencies are driven by the primitive, predatory reptile brain at the core of our id, while the ego and superego are underutilized to an alarming degree — mostly badges of Humanity, which generally translates in human society into the arrogant assumption that human beings are the Supreme Beings of the Universe, better than all other forms of life, perhaps somewhat justified given how successful we’ve been in conquering and devastating much of this world — the only planet we’ve yet inhabited.

So, then, what constitutes life? Is it the experience of the advanced cerebral mind? Or is the mind merely an instrument of survival, to assure the efficiency of the material body? Or is the body merely the vessel, evolved to be strong and agile enough to ensure the survival of the superior mind? I’ve recently read that it may be possible that – laughable as the Transformers cartoon and films may be in the science fiction community — like in Arthur C. Clarke’s fantastic 2001: A Space Odyssey, there may indeed be beings so advanced mechanically and medically that they eventually, in light of the upward trend of evolutionary growth, discarded their fragile material, organic forms for indestructible mechanical ones.

So in the cybernetic age, as technology and the medical field push the boundaries of human ethics and what is truly achievable, the question at hand may lie in the complexities of life-forms like human beings. How important is the mind to the body? The body to the mind? How might a society perform in the context of a world that is inhabited by beings that have no physical forms, but are only minds? Introduce into that society mindless bodies kept alive, and how might that complicate the normative values of human culture?

It’s all a question of what it means to be human, a question that apparently hasn’t been answered yet, and hopefully never will be fully understood — because the eternal benefit of the question will be, so long as humanity avoids extinction, the presence and creation of art and literature, in whatever form.

Red Dead Redemption Review, or… Why are American Westerns so damn awesome?

The Good, the Bad and the Ugly

Sergio Leone, Clint Eastwood, and the Spaghetti Western

When Homer wrote the Odyssey and the Iliad, he was inadvertently contributing to the vast canonical mythos of the Greeks. When the Vikings passed on the oratory tales of Thor and his mighty Mjolnir, they were creating a Norse mythology. When J.R.R. Tolkien sat down to pen the epic The Lord of the Rings, he was deliberately making an earnest attempt at creating a mythology for England.

When an Italian director named Sergio Leone undertook the filming of a grandiose American Western film saga, he was unknowingly creating the key characters, and stories, of the American Western mythos. While John Wayne, Jimmy Stewart, and Kirk Douglas, among myriad other American actors, had long been reinacting the trials and tribulations of the Old West, and its mythic Frontier, no figure remains the keystone of the Western like Clint Eastwood and his Man With No Name trilogy.

Throughout the sixties, Leone directed four “Spaghetti Westerns” — so called to distinguish them from the very different U.S.-produced Westerns, which were less gritty, and also less…interesting, arguably. They lacked the humanity and inventiveness of Leone’s breakthrough films. The first, A Fistful of Dollars (1964), is a lackluster cinematic achievement, overall, but properly introduced the Man With No Name character — and turned Clint Eastwood into an international superstar. The first sequel, For a Few Dollars More (1965), was a far more successful film in terms of money made, storyline, and cinematic artistry. The gunfights were also slightly more interesting, making the mythical American Bounty Hunter seem far more larger-than-life. The third film in the trilogy, The Good, the Bad and the Ugly (1966), is nothing short of a cinematic masterpiece, the masterwork of Leone’s career, and quite possibly the greatest film of all time.

Utilizing revolutionary cinematic techniques, wide panoramic shots akin to fine art, startlingly gritty close-ups, Ennio Morricone’s brilliant, guitar- and whistle-tinged score, and actors of the highest caliber, Sergio Leone crafted a film that I believe rivals the Mona Lisa in the realm of art.

Eastwood — The Good, Lee Van Cleef — The Bad, and Eli Wallach — The Ugly — give the best performances of their careers (okay, except for perhaps Gran Torino, but I could argue with myself for days about that), painting a vision of infantile America that rivals the poetic, epical nature of even LOTR or Beowulf. Seriously.

Once Upon a Time in the West

The fourth Leone Spaghetti Western, Once Upon a Time in the West, was a fairly critically acclaimed film, but began the downward trend of the perceived quality of Leone’s work in the genre. It features Henry Fonda in probably the most sinister, villainous role of his career, and replaces Clint Eastwood — and what a mistake this was, I’d argue — with Charles Bronson playing the new, less interesting Man With No Name. I’m not sure what Leone canon, if there is such a school of thought, claims about the character; it is my belief, however, that Bronson’s character is an entirely different individual, as he is seen playing a harmonica throughout the film as his sign of 1) someone’s going to die, and soon, and 2) he’s a badass, and don’t you forget it. Eastwood’s No-Name character used a cigar for this same purpose.

Regardless of the few merits it does lack, it’s still an outstanding film and probably better than at least the first of the Eastwood/Leone trilogy. Following Once Upon a Time in the West, Leone went on to make Duck, You Sucker! – a.k.a. A Fistful of Dynamite — which was a veritable failure in the scope of his presitigious, well-deserved career. It’s no wonder that Eastwood chose to discontinue his involvement with the Spaghetti Western genre at this point and begin his own directing career.

Following his directorial debut, Play Misty for Me (1971), he starred in John Sturges’ Joe Kidd (1972), a fairly respectable film, and then went on to direct his first Western, in which he also starred. High Plains Drifter (1973) marks a point in the American Western genre that I find to be pivotal.

Aside from the general good writing, acting, and frontier-based themes that are the keys of a good Western, High Plains Drifter introduced the world to the greater possibilities of the genre. As a writer myself, I see endless opportunities to build upon and diversify a genre that has been so rigid and unchanged for about a century of cinematic history. Louis L’Amour’s novels, I admit, I’m not really familiar with, but I have a very solid suspicion that his works don’t exactly break new ground. They likely rehash the same tired tropes again and again. I see a future for the genre that might mix the Western tale with steampunk, fantasy (well, okay, Stephen King got that one pretty much taken care of), or even horror. The possibilities are limitless. I won’t throw my ideas away just yet, though.

In Drifter, Eastwood’s character “The Stranger” is in fact a ghost — a spectral reincarnation of a man who was unjustly tortured and killed by a gang of lawless, ruthless bandits. It is a heartfelt, action-packed, and poetic romance about one spirit’s quest for vengeance and, in light of the mythic nature of the genre, resultant peace.

The film isn’t perfect, as it perpetuates the ancient sexist idea that yes means no, and women enjoy being raped — hell, they might even love you afterwords. A dangerous idea, but I’m sure that Eastwood would be the first to say that 1) they probably were wrong to include that element in the film, 2) it’s historically accurate, so get off my back, and 3) it’s not like Lord Eastwood, God of the Film World actually agrees with that sort of nonsense. It’s fiction, just like everything else.

Its strongest points, like so many Westerns, is its strong sense of storytelling, and its the ability to satisfy certain Freudian longings, like the revolver. The phallic symbol of the gun, most prominently the revolver pistol, is a recurring theme that is the silent centerpiece of all Western literature, art, and cinema. Drifter satisfies the human love — an unconscious one, but I’ll be damned if it isn’t there — of violence. Specifically good, old-fashioned gunfights. Why do you think The Matrix (2000) was such a hit? Sure, it had all the sexy cyberpunk trimmings, anime tropes, and leathery goodness you could shake a stick at — in slow motion, in fact — but it was all that fun violence that made it a hit. And, just maybe, the philosophical underpinnings. But don’t you think those are a part of the Western genre’s appeal as well?

Red Dead Redemption

Red Dead Redemption

So why tell you all this? No one cares about Westerns anymore, right? Well, no, that’s not really accurate. In fact, the Western genre is alive and well. Case in point: the 2007 Christian Bale/Ben Foster/Russell Crowe remake of the classic film 3:10 to Yuma, the just-released-in-theaters Jonah Hex (2010), starring Josh Brolin, John Malkovich, and Megan Fox; and last, but not least, the Xbox 360/PS3 video game Red Dead Redemption (2010), the sequel to the original Xbox hit Red Dead Revolver from Rockstar Games’ San Diego division.

The game is a sure sign that video games are getting better all the time, in all aspects. While it lacks the sort of sophistication showcased by state-of-the-art games like Modern Warfare 2 or Splinter Cell: Conviction, it successfully uses the tried-and-true free-roam gameplay of the Grand Theft Auto series, namely GTA IV, from which this title gets it graphics engine and overall aesthetic.

The player takes control of gunslinger John Marsden, a man with a vendetta, a dark past, and a score to settle — and there’s always a score to be settled, isn’t there? In GTA and in Westerns? His wife and son, it is quickly learned, were killed as a result of some event in the player’s immediate past. Also, it is made known that John was once in a gang of criminals, with whom he now has a rather weighty beef. Revenge plot? Almost undoubtedly; I haven’t quite finished the game yet, and I’m not the type to spoil an ending.

Red Dead Redemption

In what is likely the absolute largest free-roam, fully rendered environment ever featured in a video game, players are able to plot destinations upon a detailed map of the region known as “New Austin,” and set about on a fairly loose quest that makes for a very interesting and entertaining storyline.

The usual Rockstar humor is there, but the writing in this particular title takes on a much more serious tone than, say, GTA: Vice City. The character is someone the player comes to care about, not some clown or mere digital puppet. This game has a story, and a grandiose, well-written one, at that. The amount of work that went into crafting the script alone is mind-boggling.

The world is one of beautiful scenery, rich characters, and exciting gameplay. The A.I. is both intelligent and difficult, and the controls are seamless. There is the occasional tiny glitch, such as the horse getting stuck in a grouping of rocks, but the gameplay physics couldn’t be more impressive. Riding a horse, aiming a rifle, and downing enemies sounds like a lot to juggle, but the game has been designed in such a way that it’s actually not that hard at all. In fact, it’s quite addicting.

Why is the genre so damn awesome, so endlessly appealing? Is it because I was raised in America? Is it because there’s some savage, subconscious appeal to the idea of lawlessness and so-called “social justice” amid a barren frontier civilization? I’d like to think its appeal runs deeper than mere saddles and bullets, but I can only speculate.

For me, it’s all about having a different flavor of myth, one rich, fresh, and relatable. An American Mythology. As art grows and regresses, Westerns always crop up in one place or another. I only hope that they’ll continue to evolve, as well.

Because art and literature are two of the only frontiers which shall forever remain eternal.

The Battle for Legal and Cultural Liberty: An Examination of the Struggle Toward Freedom and Understanding by Mexican-American Immigrants

Zack de la Rocha

Zack de la Rocha, vocalist of Rage Against the Machine and activist for the Zapatista Army of National Liberation.

The political, social, and legal backlash upon Mexican-American immigrants by the United States government has led to the dawn of one of the most controversial and pivotal philosophical conundrums in the history of contemporary humanity. Over time, the issue of immigration and the perception of a need for reform has led to attempts to undermine efforts of immigrant assimilation, appalling levels of human exploitation, and the nationalist view that Latin or Asian immigrants are less worthy of citizenship than the colonial Europeans who initially claimed ownership of the land that was once inhabited by Native Americans. The truths and argumentative strategies of each side of the argument are fueled by varying mixtures of financial motivation, political principles, and racial hatred. Not only has this conflict made possible, due to massive political support, the passing of some of the most unethical, racially-underscored legislation to grace the desks of United States legislators in the twenty-first century, but it has also sparked an impassioned protest of the discriminatory political backlash from Chicano artists, photographers, and forward-thinking musicians.

It has been observed that the United States “is a nation of immigrants” (Brugge). In fact, with the exception of the indigenous Native Americans whose displacement was the result of European colonialism and the archaic perception of white supremacy, the country is comprised entirely of immigrants. At its founding, the motivational factor for immigration into the U.S. was the existence of an open frontier; the possibilities for imperial expansion and the prospect of escaping political tyranny or persecution was readily accessible, if one had only the means of travel (Brugge).

With the rise of the industrial revolution, however, began one of the most paradoxical and complicated aspects of American prejudice. Due to the cheapness of immigrant labor, and the increasing need for a vast industrial labor force, migrant workers flooded the country in the nineteenth century, seeking political sanctuary and the promise of beginning anew in a land perceived as one of glorified liberty and apparently boundless opportunity. This era saw the most extreme cases of human exploitation in documented United States history. Laborers were granted jobs under the most preposterous of conditions; they were not allowed ownership of any property whatsoever, thereby denying them the right to vote, and they were in many cases made to pledge portions of the wages over to the companies in return for employment. This also led to the firing of higher-paid employees and rampant workers’ strikes, which in turn led to violence throughout the industrial American labor force (Brugge). This exemplifies an American tendency to allow periods of mass immigration coinciding with rising tides of economic growth. The argument for anti-immigrant movements in such times rely on the notion that this causes a devaluing of labor, a lowering of wages, and the replacement of U.S. laborers with immigrants, who are perceived as more willing to work for less pay. In the wake of the September 11, 2001 terrorist attacks on the U.S. by al-Qaeda, this argument was allowed to resurface offhandedly, or perhaps deliberately, by U.S. officials. When former President George W. Bush proposed the statement that “Either you are with us, or against us,” various other members of the government asserted that combating terrorist entry into the United States must begin at the borders, not excluding the one shared with Mexico, despite Mexico having no association whatsoever with the attack on the World Trade Center (Barry). President Bush also became an earnest proponent of the “guest worker” provisional program, which aimed to grant immigrants the right to work in the U.S. while simultaneously denying them the likelihood of ever gaining legal U.S. citizenship (Brugge).

Race is, logically, and unfortunately, the greatest observable factor weighing on the issue of immigration into the U.S. In 1900, 85 percent of all total immigrants originated from Europe, whereas today, non-European immigrants comprise at least two-thirds of all immigrants entering into the United States (Brugge). This presents the ongoing retroactive argument, insidious and insubstantial as it is, that the massive numbers of immigrants allowed into the United States early in its history were justifiable due to their racial background, while those not perceived as equal to those who first settled the U.S. are more easily turned away from a nationalist (borderline fascist) argument, upon which centuries-old arguments for Social Darwinism and the essence of racism mostly relied. More contemporary right-wing arguments pose the notion that the nation has so many internal problems, that the limiting of immigrant influx is a necessary step toward bettering the nation’s sociopolitical and economic state. The most logical right-wing extremist argument is that despite its past helpfulness, due to a slow of economic growth and the current population size, immigration is no longer a beneficial factor or the repair of the crippled economy and political instability which the United States is currently facing (Brugge). This mentality was presented by the “carrying-capacity” movements of the 1970s, which applied biological principles to humanitarian issues (a form of Social Darwinism, essentially), and also more recently in the form of former President George W. Bush’s “War on Terror,” which was implemented in conjunction with various controversial measures said to be necessary for protection and preservation of the United States, which he named the “USA PATRIOT Act” (Barry).

Anti-immigrant groups such as FAIR, the Federation for American Immigration Reform, advocate well-funded campaigns that suggest that constant immigration at its current rate has created the possibility of a separatist America, not unlike the North/South division of the nation during the American Civil War. They argue that the Mexican migrant workers that reside in the U.S. presently come and go at such a rate that they do not find it necessary to make an effort to assimilate, and therefore threaten to fragment United States society. Of course, one could easily argue that this sort of thing is merely a result of the gradual liberalization of American politics over the past century and a less hypocritical general public opinion regarding immigrant culture (Brugge).

Another important aspect in the argument concerning immigration and assimilation into European-American culture is in regards to the perceived possibility of English being overrun as the primary language of the United States. While this is made to appear as a movement toward requiring immigrants to learn English, there is in fact a much more insidious agenda underlying organizations such as Engish Only, which places legal restrictions upon the placement of non-English language in public places and advocates political cutbacks on adult English education programs (Ochoa). This leaves immigrants unable to easily access bilingual education, making the process either unaffordable or too tedious to seem plausible; the result is a sense of inferiority and the ability of U.S. officials to more easily ignore the efforts of those immigrants who do, in fact, desire to learn English (Brugge).

In this era of resurfacing anti-immigrant campaigning, Latino artists have been seen as taking a great amount of the resultant burden, sending an unconscious message to the public that celebrities of their corresponding ethnic groups are no more wanted in the United States than the poor Mexican-American immigrants at present. In 2007, a U.S. bookstore canceled Mexican-American author Reyna Grande’s book-signing, as it was in support of her first novel, Across a Hundred Mountains, which was perceived as pro-illegal immigrant propaganda. That same year, a film titled “Deep in the Heart of Texas,” starring Eva Longoria in her portrayal of an assimilated Mexican-American women, was put on permanent hold and never released, due to the way in which her Latina character was received; she was claimed to be far too “American” in her portrayal. In 2008, People magazine reported a drop in sales by more than 100,000 when they featured Latina singer Christina Aguilera on its cover. Jennifer Lopez’s 2007 film “Bordertown,” which is about serial killings of Mexican women near the U.S.-Mexican border, was viewed as anti-NAFTA, and resultantly denied release in the United States. Also in 2007, the immensely popular sitcom The George Lopez Show was inexplicably canceled, immediately replaced by a failed sitcom about cavemen. Furthermore, it has been reported by studies that Latin-Americans are generally underrepresented throughout American media, and that Latinas are almost unanimously portrayed as “exotic, sexually hot, passionate ‘spitfires’,” (Valdes-Rodriguez) while Latino men in the media are most frequently only present as a means of comic relief; therefore, neither gender is generally given a fully-realized characterization, but instead degraded to archetypal caricatures. This corporate punishment of Latin-American celebrities and artists has been attributed to the increasing support for the U.S. anti-immigrant movement. (Valdes-Rodriguez).

With the raging debates within United States sociopolitical circles, the fine art and popular that reacts to this topic often goes unappreciated. Many critics, however, assert that it is immigrant art that will be future of contemporary art as represented by such prestigious centers as the Queens Museum of Art in New York and the San Jose Museum of Art in California (Beattie).

One immensely influential and artistically sound example of reactionary art centered around Mexican-U.S. immigrant debate is the Brazilian photojournalist Sebastiao Salgado. He is considered “[a] humanist who conveys his feelings with powerful, beautiful photographs [...] [who] has revealed a world of human despair [...]” (Masters of Photography). His goal as an artist is to illuminate the humanistic values of various Latin-American and African cultures and then to make their struggles known to a world which often neglects to acknowledge such strife (Masters of Photography). Eduardo Galeano writes in his book An Uncertain Grace that “light is a secret buried under the garbage and Salgado’s photographs tell us that secret.” He explains that “[t]he emergence of the image from the waters of the developer, when the light becomes forever fixed in shadow, is a unique moment that detaches itself from time and is transformed forever. These photographs will live on after their subjects and their author, bearing testimony to the world’s naked truth and hidden splendor. Salgado’s camera moves about the violent darkness, seeking light, stalking light. Does the light descend from the sky or rise out of us? That instant of trapped light that gleams in the photographs reveals to us what is unseen, what is seen but unnoticed; an unperceived presence, a powerful absence. It shows us that concealed within the pain of living and the tragedy of dying there is a potent magic, a luminous mystery that redeems the human adventure in the world” (Galeano). That unperceived presence is almost certainly connoting humanity, or “oneness,” a virtue nearly nonexistent in the politics and social mood of America’s foreigner/immigrant relations. One of Salgado’s images, perhaps the most powerful and evocative of all his photographs, is one depicting two poor rural Mexican adolescents, their hands upraised and pressing exhaustively against the tall and overbearing presence of the border’s divisive wall. Image is one of total isolation, poverty, and desperation; yet in it is that unassuming light of hope which Galeano has mentioned resides in each of Salgado’s works. He has also taken a great many photographs of poor rural Mexican-border villages, and the saddening conditions in which they are forced to live. His skills of lighting, composition, and the subtleties of his artistic message are signs of complete and utter mastery.

Another notable voice in the realm of immigration reform protestation is an unlikely, but nevertheless extremely powerful one: that of garage-rock icon Jack White, guitarist, vocalist, and songwriter for the enormously influential band “The White Stripes.” While he is infamously known for spreading the sort of fabricated myths that comprise any rock and roll musician’s history, it is known that the rock and roll guitar player grew up amid the predominantly (or “almost entirely,” as he claims) Mexican-American population of southwest Detroit, Michigan. He explains that he was exposed constantly to a culture that he otherwise might not have been all that familiar with; every individual in his neighborhood listened to either traditional Mexican popular music or “Chicano rap,” making him feel very alienated, “the only white boy in town–and definitely the only one listening to rock music” (White). The title track from the White Stripes’ sixth album, 2007′s Icky Thump, is the penultimate anthem for the Mexican-American mentality toward anti-immigrant backlash and politics. Infused with somewhat Latin-inspired not-so-atmospheric bagpipes, with blues-derived guitar playing that can only be described as explosively loud and almost violent, the song tackles the hypocrisy of American anti-immigrant movements head-on: “White Americans, what? / Nothing better to do? / Why don’t you kick yourself out / You’re an immigrant too? / Who’s using who? / What should we do? / Well, you can’t be a pimp / And a prostitute too” (WhiteStripes.com). While seemingly obvious and straight-forward, the message of the lyrics is fairly deep it its informativeness. Besides calling out the logical argument that nearly every citizen of the United States is of foreign ancestry, White also addresses the conundrum of corporate influence on the influx of immigration; indeed, the manufacturing giants residing within the United States, as well as those within Mexico or along the U.S.-Mexico border, rely heavily on the labor of Mexican migrant workers. Without them, such corporations would be hard-pressed to find an adequate workforce. Therefore, White’s issue is not so heavily weighted by the laughably obvious initial argument, but rather by the yin-and-yang relationship of white-collar, right-wing conservatives’ political opinions and those of the American corporate elite.

Chicano artists often cite “Chicano rap” as the most powerful expression of Mexican-American identity. Zack de la Rocha, vocalist for the radically leftist, politically-charged rap-rock band “Rage Against the Machine,” is of Mexican, Irish, and German descent, and therefore expresses strong feelings and artistic sensibilities in regards to anti-immigrant groups. His father, a Chicano muralist, was a member of the “Los Four,” the only Mexican group to ever be featured in an exhibition at the Los Angeles Art Museum. De la Rocha is a long-time member of the “Zapatista Army of National Liberation,” or EZLN, which is a group dedicated to the advancement of a very impoverished, indigenous population in southern Mexico. Of his motivation for such activism, de la Rocha explains “[i]t is important for me, as a popular artist, to make clear to the governments of the United States and Mexico that despite the strategy of fear and intimidation to foreigners, despite their weapons, despite their immigration laws and military reserves, they will never be able to isolate the Zapatista communities from the people in the United States” (De la Rocha). This struggled is most appropriately expressed in the 2000 Rage Against the Machine song “War Within a Breath,” from the album The Battle of Los Angeles. More recently, de la Rocha has been seen most prominently as a protestor of the Arizona legislation put forth by Phoenix, AZ Sheriff Joe Arpaio, which states that any lawman who suspects an individual might reasonably be suspected of being an illegal immigrant may be asked to present legal documentation proving otherwise. De la Rocha has appeared in a Public Service Announcement declaring the injustice of such legislation, and in February 2009 performed a solo acoustic concert of Rage Against the Machine songs in Phoenix at the National Day Laborer Organizing Network’s anti-Arpaio rally. He proclaimed the legislation campaign to be “a terror campaign that Mr. Arpaio is waging [...] keeping people in the shadows” (Lemons).

Ultimately, the crisis of U.S./Mexican relations and immigration policy remains an ongoing struggle for balance, liberty, and ethical agreement. Due to the spectacle that the media continues to make of anti-immigrant groups and the opposing arguments framing the issue, the level of violence and political tendencies toward the extreme will only heighten until a breaking point is reached. Whatever the outcome, whatever so-called “rights” are either granted or infringed upon, it can be seen as pure certainty that art will continue to react to the strife of Mexican immigrants, and that if any truth is ever to be found in humanity, it is to be found in art.

Works Cited

Barry, Tom. “Anti-Immigrant Backlash on the ‘Home Front’.” NACLA Report on the Americas (2005): 28-41. Academic Search Premier. 26 April 2010. Web.

Beattie, Rich. “Immigrant Art Exhibitions: Insights of Passage.” The New York Times on the Web. 19 May 2006. 26 April 2010. Web.

Brugge, Doug. “Pulling Up the Ladder: The Anti-Immigrant Backlash.” The Website of Political Research Associates. 1995. 26 April 2010. Web.

De la Rocha, Zack. “Interview with Zack, from Chiapas, Mexico.” Accion Zapatista de Austin. 7 July 1998. 26 April 2010. Web.

Galeano, Eduardo. An Uncertain Grace. Aperture, 2005. Masters of Photography. 26 April 2010. Web.

“Icky Thump (White).” WhiteStripes.com. 26 April 2010. Web.

Lemons, Stephen. “Rage Against the Machine’s Zack de la Rocha Rocks Tonatierra.” Phoenix New Times. 28 February 2009. 26 April 2010. Web.

Ochoa, Gilda Laura. “Mexican Americans’ Attitudes Toward and Interactions with Mexican Immigrants.” Social Science Quarterly, University of Texas Press (2000): 84-105. Academic Search Premier. 26 April 2010. Web.

“Salgado, Sebastiao (1944-): Brazilian Photojournalist.” The Photography Encyclopedia. Rpt. in Masters of Photography. 26 April 2010. Web.

Valdes-Rodriguez, Alisa. “Latino Artists Bear Burden of Anti-Immigrant Frenzy.” Racialicious. 4 March 2008. 26 April 2010. Web.

White, Jack, perf. It Might Get Loud. Dir. Davis Guggenheim. Perfs. Jimmy Page, David “The Edge” Evans. Sony Pictures Classics, 2009. DVD.